Some Sage Advice
Often when I am teaching and practicing, I say or do something successful and think, “How did I know that?” Sometimes, I can mentally thank the person who blessed me with a particular tidbit. Other times I just throw a blanket thank you out to the universe. So, I collected some sage tidbits to share. It’s my way of giving thanks to all those who have helped and still help me along my way. Enjoy!
- Always pay attention to the long notes in Bach- especially the tied ones.
- My job as a teacher is to put myself out of a job, not to create dependence.
- Enjoy the McNamara rhythm in Beethoven’s music. It’s one of his favorites. (think Appassionata 2nd theme)
- Elaborate classical final cadences are like piling on in football.
- Play Poulenc as though you are sitting in a smoky bar at 2 am with a cigarette hanging out of your mouth.
- Accept the challenge of an etude don’t try to mitigate it.
- Muddiness can often be cured by pedaling the melody.
- When a passage sounds choppy, check to see if you are pedaling too soon and choking off the sound.
- Don’t hold over “gone” notes and spoil the harmonic rhythm.
- No amount of technical practice will be fruitful unless you are engaged creatively.
- Look for ways other than rolling to deal with chords that are two big for your hand.
- Always listen for the larger beat. Heavy, ponderous playing frequently has little to do with tempo and a lot to do with making every beat (or subdivision) the same weight.
- When dealing with ornaments, determine if their function is to sustain the line, move the music along, or hold the music back.
- Fingering in musical editions is a point of departure. It is also often stupid. (Remember, this didn’t originate with me:)
- Always celebrate humorous Beethoven.